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类型：剧情片
主演：Adam Davis Jay Disney Jaime Gallagh
导演：Adam Davis
语言：英语
年代：未知
简介：当安吉拉•沃克再次获得晋升的时候，她决定要彻底打破这种无形的公司壁垒……
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类型：剧情片
主演：席琳·赛莱 朗贝尔·维尔森 斯特凡·德·胡特 Violaine Fum
语言：法语
年代：未知
简介：埃森企業是擁有九萬名員工的法國大型企業。某天一名財務分析師達瑪從企業總部頂樓一躍而下，結束了自己的生命。當勞動部介入調查，人力資源部的經理艾蜜莉表示達瑪的死純粹是因為「私人因素」，只有艾蜜麗的秘書知道達瑪因為申請調職被拒一事，多次找過愛蜜莉，卻屢遭相應不理。勞檢員瑪麗的管區內有2500家公司，她的職責是維護三萬名員工的職業安全，她深信達瑪選擇在工作場所自殺就是
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类型：喜剧片
主演：Anna
导演：Jack Spring
语言：英语
年代：未知
简介：Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they've got jobs they don't want and wives who don't want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it's all too late. Mix in a dollop of The Inbetweeners' intellectual wit, add a pinch of bromancing from The World's End, and then stir in a few ladles of The Hangover's vomit and you've got Destination: Dewsbury, destined to be one of 2018's funniest releases.
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类型：恐怖片
导演：亚当·温加德
语言：英语
年代：未知
简介：在看似平常温馨的夜里，一个羊羔面具正在制造杀戮的阴霾，任何时间，任何人，都有可能成为面具杀手的下一个目标。年轻的艾琳（沙妮·文森 Sharni Vinson 饰）正随着她的男朋友克里斯皮安（AJ·鲍恩 AJ Bowen 饰）回密苏里度假屋中参加他父母的结婚纪念日。克里斯皮安的兄弟和妹妹都带着另一半前来聚会，一家人在饭桌前其乐融融。然而屋外却是另一番令人毛骨悚然的景象，几个头戴面具的杀手正对这家人虎视眈眈。突然，弟弟德雷克背部中枪，杀戮迅速展开，其他家庭成员相继受到惊吓和伤害。就在这危急时刻，艾琳反客为主，组织起全家防御，迸发出惊人的求生本能，度假屋瞬间变成你死我活的血腥战场……©豆瓣
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类型：剧情片
主演：Dan Ariely
语言：英语
年代：未知
简介：(Dis)Honesty - The Truth About Lies' is a documentary feature film that explores how and why people lie. The film is anchored in behavioral experiments that measure our propensity to lie - sometimes even unknowingly. On a more personal level, from little white lies to devastating deceits, people share on camera the true stories of lies they've told. Experts examine the reasons ...
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类型：恐怖片
主演：麻仓优 Bruce Taylor Stacy Tyler 亚瑟·罗伯茨
导演：唐诺·葛勒特
语言：英语
年代：未知
简介：A beautiful woman, named Zita, who has many issues, is aging and seeks an Egyptian goddess' help. After pledging her allegiance, Zita is instructed to kiss the mummy remains of the evil sorceress, Hor Shep Sut. This awakens the mummy, and the murders begin.
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类型：恐怖片
主演：David A. Lockhart Camille Montgomer
导演：Rene Perez
语言：英语
年代：未知
简介：California gold rush, late 1800's: A gun slinging bounty hunter (Mortimer) travels deep into the mountains to find a deadly Apache warrior (Brother Wolf) who is wanted by the law. Along the way he passes through a gold mining Town. The miners help direct Mortimer to the Apache and send him on his way. Mortimer enters the forest and begins to track the Apache. Back in town, the miners un-earth an ancient meteor. They use their pick axes to crack it open. A section of the meteor splits apart and spores explode out of it. The spore surround and infect the entire population of the mining camp. They are transformed into ravenous mutants. After a vicious battle against the Apache warrior, Mortimer exits the forest with his prisoner in shackles. They hike back to the mining town to find them selves surrounded by a horde of blood thirsty mutants. Now Mortimer the gun slinger and Brother Wolf the Warrior must join together to survive the mutant hordes. What ensues is a bloodbath of horror for the Dead and the Damned.
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类型：剧情片
主演：Bob Dylan Joan Baez Judy Collin
语言：英语
年代：未知
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
